Click on each box to read the abstract.
“How Womb-Tombs Motifs Comment upon the Troubled Generations Born After the Spanish Civil War In The Devil’s Backbone (2001), Pan’s Labyrinth (2006), and The Last Circus (2010)”
How Lucrecia Martel Visualizes Ethnoracial Classism and Ecological Appropriation
Exploring Levels of Necropolitics, Memory, and Justice in El Secreto de sus ojos
Elusive Women and Frustrated Men: Subversive Aural and Spatial Juxtapositions in Memories of Underdevelopment (1968) and Zama (2018) (abstract in progress)
Framing the Dead to Expose the Past: Catalyzing Postmemory in Almodóvar’s Bad Education (2004) and Parallel Mothers (2021)