Click on each box to read the abstract.
The Hollywood Blockbuster, Chinese Nationalism, and Ecosocial Sloganism: Tianrenheyi in The Wandering Earth (2019)
C-Dramas as Battle Royales Onscreen with Political Censorship Off Screen: Heterotopia and Ruyi’s Royal Love in the Palace (2018)
Harbingers, Pestilence, and Metaphors: China's Evolving Perspectives on Locusts from the Shang Dynasty to Mo Yan
How the COVID-19 Quarantine led to the Author Fang Fang’s House Arrest: Wuhan Diaries (2019), Chinese Media, Nationalist Netizens, and Memory Politics
Politicized Tales of Cannibalism Evade Censorship: Mo Yan’s The Republic of Wine (1992) and Yu Hua’s ‘Classical Love’ (1996)
From Somber Sacrifices to Pink Dragons: Tracing Chinese Confucian Filial Piety through the Yuan Dynasty, 1960s Model Plays, 1990s Scar Literature, and Modern Visual Media
Dead Body Politics in Yu Hua’s The Seventh Day (2013): Where the Hum-Drum Afterlife Serves as Bhabha’s Third Space
Being Saved from or Condemned to the Bare Life: The White Haired Girl and Hibiscus Town